You may find Eminem popping out of your own mouth, because he’s the most quotable MC alive, both consistently funny and ridiculously far over the top. It feels dangerous to think of a white boy nearing the aesthetic zenith of the celebration of black maleness called hip-hop, but just as blacks have to be twice as good to get ahead in life, to get ahead in hip-hop Eminem has had to be twice as ill.ħ0 Greatest Music Documentaries of All TimeĮxpect, during this summer of Shady, to hear Marshall Mathers following you around the hip-hop nation, flowing from boomboxes, trucks and lips the same way Dre’s The Chronic, Raekwon’s Only Built 4 Cuban Linx. He is, simply, better than any other MC in hip-hop except for Jay-Z - yes, better than Beanie Sigel, Pharoahe Monch, Snoop, Common, Prodigy, Xzibit, Redman, Big Pun and all of the Lox. He has a frightening proclivity to spit venom one moment and humor the next, and a never-ending slew of jaw-dropping punch lines. He has a macabre imagination to rival Satan’s and an incredible ability to create new rhyme patterns. On The Marshall Mathers LP he hits you with the lyrical complexity and detailed narratives of Biggie, the hilarious, is-he-kidding-or-not button-pushing of Howard Stern, the disaffected angry-white-boy-ness of Fight Club and the fearless, kill-me-if-you-can energy of Tupac. This time out, he’s more funny and much more scary. It’s like something out of science fiction.Įminem’s 1999 triple-platinum major-label debut, The Slim Shady LP, was a shot in hip-hop’s arm, the grand entrance of a hurricane dressed as a Detroit kid with major-league skills and a potential mental disorder. Where a very blond, white-trash homeboy from Detroit named Marshall becomes the king of hip-hop. Meanwhile, Eminem has a message for you nagging bootleggers.Welcome to the summer of Shady. “And I’ve probably worked harder on this record than any other record aside from maybe the time period during The Eminem Show, which is a little hazy ’cause just so much sh%t was going on at that time.” “I’m probably working harder than I’ve ever worked in my life,” he continues. You know, retro sh%t, and try to make it current, like bring it up to date.” One of my favorite new things to do is experiment with new, older breakbeats and sounds and sh%t like that. To me, it’s more about the vibe and the nostalgia. “So there’s not gonna be like, continuations of every song or anything like that. “As much as it is a revisitation – like this is a different time period in my life,” he explains to Rolling Stone. Despite the cover artwork being similar to his first album – ‘MML2’ cover features his childhood home, which is up for sale – Em said that the effort is not necessarily a sequel to his classic 2000 effort, The Marshall Mathers LP. The album is Em’s first studio effort in three years and includes production from Dr. The 16-song collection includes the previously-released singles “Rap God”, “Berzerk” and “Survival”, as well as tracks “Love Game” (featuring Kendrick Lamar) and “The Monster” (featuring Rihanna).
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